Featured Guitars

Brazilian Rosewood Back & Sides
Sitka Spruce Soundboard
Florentine Cutaway
Segmented Rosette in “Sunrise Pattern”
Brazilian Rosewood Binding
Ebony Fretboard w/Thin Maple Purfling Line inside Fretboard perimeter
“Sunrise Pattern” Inlay on Fretboard
Narrow Brazilian and Maple Wood Outline around Soundboard Border
Brazilian Rosewood Bridge
Brazilian Headstock Veneer
Gold Rodgers Tuners w/Ebony Buttons
Calton Case
Call for Price

Koa Back & Sides
Adirondack Spruce Top
Cutaway
Custom Rosette
Koa Headstock Veneer w/ Custom Center Inlay
Ebony Bindings w/Green Maple Purfling
Ebony Fretboard w/ Burl Wood stick Inlay Markers @5,7,9, 12 & 15
Gold Gotoh 510 Tuners w/Ebony Buttons
Scale Length; 25″
Saddle: 2.30″
Nut: 1.80″
Hoffee Case

African Blackwood Back & Sides
Swiss Spruce Top
Cutaway
Blackwood w/Burl Wood Segmented Rosette
Blackwood Headstock Veneer w/ Burl Wood Center Inlay
Ebony Bindings
Ebony Fretboard w/ Burl Wood stick Inlay Markers @5,7,9, 12 & 15
Segmented Burl Wood Inlay Center Back Strip
Gold Schaller Tuners w/Ebony Buttons
K&K Pure Mini Pick Up
Hoffee Case
Scale Length; 25″
Saddle: 2.30″
Nut: 1.75″

Mahogany Back & Sides
Adirondack Spruce Top
Soundport
Ebony Bindings
Abalone Rosette
Ebony Fingerboard & Bridge
Ebony Headstock Veneer w/Abalone Flowerpot Inlay
Nickel Waverly Tuners w/Black MOP Buttons
Baggs Pick Up
Scale Length: 25.375″
Nut: 1.76″
Saddle: 2.25″

Indian Rosewood Back & Sides
Cedar Top
Cutaway
Abalone Top Border & Backstrip
Rosewood Binding
Abalone Rosette
Abalone Dove Fretboard Inlay
Ebony Headstock Veneer w/MOP Olson Logo
Gold Gotoh 510 Tuners w/Ebony Buttons
Baggs P/U
Hoffee Case
1.77″ Nut Width
2.29″ Saddle Spacing
Mint Condition

Koa Wood Back and Sides
Cedar Top
BRW Top, Fretboard & Headstock Borders
Rosette of BRW w/Maple Inlay
Fretboard w/#1 Inlay Pattern made with Koa and Maple
“O” Headstock Logo w/Koa Center & BRW Border
Brazilian Rosewood Binding, Purfling, & End Wedge
Gold Gotoh 510 Tuners
Nut: 1.75″
Saddle: 2.25″
Scale Length: 25.5″

Figured European Maple Back & Sides
Adirondack Spruce Top
Vintage Nitro Tortoiseshell Bindings, Rosette Inner Ring
& Cutaway Bevel
Herringbone Top Border
Satellite Rosette
Side Port
Figured European Maple Neck
BRW Fretboard & Bridge
Waverly Tuners w/Tortoiseshell Buttons
LR Bags Pick up
25.4″ Scale Length
1 25/32″ Nut
2 1/4″ Saddle

“Private Stash” Brazilian Rosewood Back & Sides ($8,000.00 Upgrade)
German Spruce Top
Blue Paua Soundboard Border
Blue Paua Rosette
BRW Binding
“Big” MOP Dot Fretboard Inlay
Satin Gold Gotoh 510 Tuners w/Ebony Tuners
Calton Case
27″ Scale Length
Nut Width: 1 3/4″
Saddle Spacing: 2 5/16″

Gabon Ebony/Cocobolo Back & Sides
Carpathian Spruce Soundboard
Maple/Ebony Top Border & Rosette
Maple Fretboard Border
Ebony Bridge
Ebony Binding
Babon Ebony/Cocobolo Headstock Veneer 
Black Shertler Tuners w/Ebony Buttons
1 25/32″ Nut Width
2 3/8″ Spacing @ Saddle
25.6″ Scale Length
13.50″ Lower Bout

Brazilian Rosewood Back & Sides
Moon Spruce Top
Cutaway
Ebony Bindings
Hand Selected Small Piece Mosaic Rosette
BRW/Ebony Headstock Venner
Ebony Fretboard
BRW Bridge
Gold Gotoh 510 Tuners w/Ebony Buttons
K&K P/U
Blue Hoffee Case
Nut Width: 1.77″
Spacing @ Saddle: 2.37″
Scale Length: 25″

Sinker Mahogany Back & Sides
Adirondack Spruce Top
Arm & Palm Rest Bevels
Ebony Bindings
Ebony Fretboard & Bridge
Spalted Beech & Abalone Rosette
Mahogany Neck w/Heel Swoosh
Gold Gotoh Delta Tuners w/Ebony Buttons
Accord Case
25″ Scale Length
1 13/16″ Nut
2 5/16″ Spacing @ Saddle

East Indian Rosewood Back & Sides
Adirondack Spruce Top
Maple Bindings
Abalone Rosette
Maple/Ebony Top Border
Fretboard inlays are a mixture or Green, Red Abalone, Green Sea Snail & MOP
The Fretboard Inlay design was 1st laid out for a guitar built in the mid 70’s for Linda Ronstadt
that was a gift from her then manager, Peter Asher
Gabon Ebony Bridge & Fretboard
EIR Headstock Veneer w/Abalone Border & MOP “W” Logo
Gold Schaller Tuners
This is a 00 sized body.
Body is, 14″ @ lower bout, 10 1/2″ @ upper bout, 19 1/2″ long & 4 5/16″ deep
Nut Width: 1 11/16″
Spacing @Saddle: 2 5/64″
Scale Length: 25.5″
Serial #85
The EIR Back & Side and the Spruce top are from Mark’s wood that has been stored since 1980.
In the 1970s, Whitebook had a cult following for his handmade guitars.
His client list included James Taylor, Carly Simon, Phil Keaggy and Clarence White. But in
1980, having built around 70 instruments total, Whitebook stopped building guitars.
In 2015 Whitebook returned to building for a short time. Using the same tools and wood he had
stored, brought his total guitar builds to 99.