13 inches to 14.99 inches

Gabon Ebony/Cocobolo Back & Sides
Carpathian Spruce Soundboard
Maple/Ebony Top Border & Rosette
Maple Fretboard Border
Ebony Bridge
Ebony Binding
Babon Ebony/Cocobolo Headstock Veneer 
Black Shertler Tuners w/Ebony Buttons
1 25/32″ Nut Width
2 3/8″ Spacing @ Saddle
25.6″ Scale Length
13.50″ Lower Bout

Sinker Mahogany Back & Sides
Adirondack Spruce Top
Arm & Palm Rest Bevels
Ebony Bindings
Ebony Fretboard & Bridge
Spalted Beech & Abalone Rosette
Mahogany Neck w/Heel Swoosh
Gold Gotoh Delta Tuners w/Ebony Buttons
Accord Case
25″ Scale Length
1 13/16″ Nut
2 5/16″ Spacing @ Saddle

East Indian Rosewood Back & Sides
Adirondack Spruce Top
Maple Bindings
Abalone Rosette
Maple/Ebony Top Border
Fretboard inlays are a mixture or Green, Red Abalone, Green Sea Snail & MOP
The Fretboard Inlay design was 1st laid out for a guitar built in the mid 70’s for Linda Ronstadt
that was a gift from her then manager, Peter Asher
Gabon Ebony Bridge & Fretboard
EIR Headstock Veneer w/Abalone Border & MOP “W” Logo
Gold Schaller Tuners
This is a 00 sized body.
Body is, 14″ @ lower bout, 10 1/2″ @ upper bout, 19 1/2″ long & 4 5/16″ deep
Nut Width: 1 11/16″
Spacing @Saddle: 2 5/64″
Scale Length: 25.5″
Serial #85
The EIR Back & Side and the Spruce top are from Mark’s wood that has been stored since 1980.
In the 1970s, Whitebook had a cult following for his handmade guitars.
His client list included James Taylor, Carly Simon, Phil Keaggy and Clarence White. But in
1980, having built around 70 instruments total, Whitebook stopped building guitars.
In 2015 Whitebook returned to building for a short time. Using the same tools and wood he had
stored, brought his total guitar builds to 99.

Brazilian Rosewood Back & Sides
Cedar Soundboard
Abalone Soundboard Border & Rosette
Abalone Snowflake Fretboard Inlay
Ebony Bridge
BRW Binding
Ebony Headstock Veneer w/MOP “O” Logo
Gold Mini Gotoh Tuners w/Ebony Buttons
1 3/4″ Nut Width
2 9/32″ Spacing @ Saddle
25.5″ Scale Length
13.75″ Lower Bout

Brazilian Rosewood Back & Sides
Cedar Top
BRW Bindings
Burled RW Rosette w/MOP inner & outer Rings
MOP Top Border
BRW Bridge
Hand Engraved Rubner Tuners
650mm Scale Length

Mahogany Back & Sides
Adirondack Spruce Top
Flamed Maple Top Border
BRW Bindings
Flamed Maple Rosette
“Haircut” Headstock w/Ebony Veneer & Abalone Vine Inlay
Nickel Waverly Tuners w/Ebony Buttons
1 13/16″ Nut Width
2 3/8″ Spacing at the Saddle
25.4″ Scale Length

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Brazilian Rosewood Back & Sides from Kim’s Private Stash
Adirondack Spruce Top
Loar Sunburst Varnish Finish on Top
Ebony Fingerboard & Bridge
Kim’s Special Stash Mahogany Neck
42 Style Abalone Top Border
42 Style Abalone Fingerboard Inly
Grained Ivoroid Body Bindings
Abalone Rosette
Ebony Headstock Veneer w/Flowering Vine Inlay
Gold Waverly Tuners w/BRW Buttons
Calton Flight Case

Mahogany Back and Sides
Adirondack Spruce Top
Sunburst Finish on Top
Ivoroid Bindings
“Haircut” Headstock w/Ebony Veneer
Chrome Waverly Tuners w/Ivoroid Buttons
Nut: 1.76″
Saddle: 2.24″
Scale: 25.4″

Scale length: 640mm
Top: Aged European Spruce
Back and Sides: 75 year old East Indian Rosewood form an antique desk
Headstock veneers: East Indian Rosewood
Binding: Dark Macassar Ebony
Bridge: East Indian Rosewood (Desk)
Fingerboard: Ebony
Rosette: Custom rosette made of Holly, Ebony, Pearwood and dyed green veneer
Tuning machines: Alessi
Finish French polish of shellac
Blue Hoffee Case